Fashion would do well in remembering that political stances need to come from a place of realness as a starting point.
I enjoy the poetry of the work Piccioli does for Valentino, the creativity and craft of his design but I also often feel alienated. Things like the one your article beautifully covers, or having his models go out in unwalkable shoes (not once but twice), the ultra skinniness, the 2 mile catwalk treck and this idea of couture as having women look like a decorative doll, talk of a(nother) man in his high castle telling women how they should perceive themselves and often missing.
I have the black issue of Vogue Italy and was analising it with my students a few months ago. It was shocking realising that absolutely all the ads in the magazine featured exclusively white models. An industry that reflects and caters for a diverse world needs to be diverse itself, otherwise the energy gets misdirected, which is often the case.
I also enjoy his work, but I'd rather have a designer just doing his job instead of trying to take a political stance when they are clearly not well-informed, yet speak with so confidently.
Don't start me about that Black Issue of Vogue Italia because there is so much to say about it. I hate it when editors are praised for highlighting some communities and becomes the main reference instead of people from said communities who have been doing the work for years. I understand the influence and power like Franca Sozzani, but it doesn't mean she had it all covered because of that one issue. That's what I dislike the most about the public opinion when someone outside of a community does one thing.
Emmanuelle, when I started reading this I initially wasn't sure what to make of it. But for me p.4 and excerpt with Tim Bank's writing nailed it. Something to reflect upon on a deeper lever. Thank you
What do you mean by what to make of it? Did I confused you even more? haha.
Tim Blanks' piece was such a refresher because he didn't forget about these iconic models that were there before the Supers. It's also interesting to read him naming them because in today's fashion journalism, it is rare to get such beautiful mentions if the models aren't celebrities or children of.
A little bit, that’s why I will re-read & reflect. I love Tim’s editorials, as he is a formidable encyclopaedia of knowledge that is an increasing rarity. I loved that particular piece of writing, so you highlighting it was wonderful & appreciated
Let me know what you find confusing. I know I tried to start off the piece by being as neutral as possible, but when I know I went off after I transcribed and translated that quote from the podcast haha. Nonetheless, I hope you'll be less confused after re-reading it. If you are still, any feedback is welcome!
Agreed about Tim! I'm glad you appreciated the piece I shared about his work.
As I mentioned in my previous comment I have read Tim’s post that you referenced & appreciate his viewpoint on the fashion industry above most others
Amen, Emmanuelle.
Fashion would do well in remembering that political stances need to come from a place of realness as a starting point.
I enjoy the poetry of the work Piccioli does for Valentino, the creativity and craft of his design but I also often feel alienated. Things like the one your article beautifully covers, or having his models go out in unwalkable shoes (not once but twice), the ultra skinniness, the 2 mile catwalk treck and this idea of couture as having women look like a decorative doll, talk of a(nother) man in his high castle telling women how they should perceive themselves and often missing.
I have the black issue of Vogue Italy and was analising it with my students a few months ago. It was shocking realising that absolutely all the ads in the magazine featured exclusively white models. An industry that reflects and caters for a diverse world needs to be diverse itself, otherwise the energy gets misdirected, which is often the case.
Hello Patty,
I also enjoy his work, but I'd rather have a designer just doing his job instead of trying to take a political stance when they are clearly not well-informed, yet speak with so confidently.
Don't start me about that Black Issue of Vogue Italia because there is so much to say about it. I hate it when editors are praised for highlighting some communities and becomes the main reference instead of people from said communities who have been doing the work for years. I understand the influence and power like Franca Sozzani, but it doesn't mean she had it all covered because of that one issue. That's what I dislike the most about the public opinion when someone outside of a community does one thing.
I know...
Emmanuelle, when I started reading this I initially wasn't sure what to make of it. But for me p.4 and excerpt with Tim Bank's writing nailed it. Something to reflect upon on a deeper lever. Thank you
What do you mean by what to make of it? Did I confused you even more? haha.
Tim Blanks' piece was such a refresher because he didn't forget about these iconic models that were there before the Supers. It's also interesting to read him naming them because in today's fashion journalism, it is rare to get such beautiful mentions if the models aren't celebrities or children of.
A little bit, that’s why I will re-read & reflect. I love Tim’s editorials, as he is a formidable encyclopaedia of knowledge that is an increasing rarity. I loved that particular piece of writing, so you highlighting it was wonderful & appreciated
Let me know what you find confusing. I know I tried to start off the piece by being as neutral as possible, but when I know I went off after I transcribed and translated that quote from the podcast haha. Nonetheless, I hope you'll be less confused after re-reading it. If you are still, any feedback is welcome!
Agreed about Tim! I'm glad you appreciated the piece I shared about his work.